Seems too puny and fragmented for its mighty subject; it feels as if Stone, for the first time in his career, simply ran out of hot air.. Often deliberately arch and formal, the performers have been instructed to emphasize the overwrought theatricality of Anna's disapproving social set. What doesn't emerge is Anna's passion. Panic is more like it.. Though the battles have the blood-and-sinew bravado you expect from Oliver Stone, this three-hour buttnumbathon is hamstrung by a hectoring grandiosi...
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