There's suspension of disbelief, and then there's the kind of doe-eyed romantic drama that's so detached from reality it asks you to accept Captain America as a brokenhearted busker in Grand Central Station.. Writer-director Jonathan Kasdan can't even bother to satisfy the buildup with a real moment of consummation (welcome to the fade to black) or believable postcoital complications.. Amelie contains enough material for a dozen or so charming shorts, but stretched to feature length, the whimsy ...
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